由电影频道出品的电影《王平开辟根据地》是一部军事题材的电影，影片讲述了在军阀混战的地区，王平团结了一支人民的武装并率领队伍披荆斩棘、勇挫敌寇的故事，在艰难的抗日战争中让我们领略了英勇无畏的榜样军人王平。

德国毕业生巴斯蒂（弗兰茨•丁达 Franz Dinda 饰）为了逃避服兵役，想方设法在体检上做文章。他买通了作弊高手施莱菲尔（弗罗里安•卢卡斯 Florian Lukas 饰），后者妄图用身患糖尿病女友的尿液蒙混过关。结果，女友怀孕导致事情败露，两人只得应征入伍。毕业派对上，巴斯蒂与舍友打赌追女友，他先声夺人，把女孩骗到了床上，正当干柴烈火之时，征兵的车辆来了，就这样，巴斯蒂衣衫不整地进入了兵营。为了离开，他当众跟教官顶撞，结果害得大家被罚。幸好，同命相连的施莱菲尔突然现身，巧妙地化解了巴斯蒂的窘境。施莱菲尔向巴斯蒂讲述了很多兵营的好处，并把他介绍一群古怪的朋友。此时，美军要与德军展开联合军演，他们被教官点名参加，并接受了苦不堪言的特训，这群吊儿郎当的德国新兵能应付严阵以待的美国大兵吗？

某部队海防班兵，驻防于海角之地，班长要求严格，这些调皮捣蛋的宝贝兵经常被整得叫苦连天。某夜，有大陆客偷渡潜入，海防班兵们将之捕获。报请上级将这些大陆客遣送回去，班兵们亦获得了营长的嘉奖。后来由于一时疏忽，使不法集团趁机走私得逞。上级十分重视比案，营长前来巡视时，特交待排长要加强战技磨练。班兵们为要将功赎罪，坚忍地接受各项严格的磨练，附近村庄的孩童小小免当兵，将来长大后再从军，报效国家。不久后不法集团再次进行走私，班兵们前来缉捕，双方格斗激战，班兵们发挥冒险精神，将不法集团一网打尽。

本片讲述了1944年末美军101空降师的一个新兵连在突出部战役的危急时刻赶赴巴斯托捏，在被包围的情况下依然守住了防线顶住了德军的进攻，迎来了战役的最终胜利。突出部战役的规模尽管不非常大，但在二战西线战场上具有重要意义。它是德军在二战西线战场发动的最后一次大规模进攻，耗尽了德军守备西线的最后人力物力储备，对于西方联军则是他们在战争中遇到的最后一次“危机”。101空降师在这次战役中坚守重要的交通枢纽巴斯托捏进一个月，顶住了德军20个师的围攻，是该次战役取胜的重要原因。

这些是第一次世界大战的年代，斯特凡诺·佐尔齐医生在意大利北部一座大城市的免除诊所度过他的日子。在那里，他不仅照顾从前线屠杀中归来的士兵，还与那些希望被免除服役的人作斗争，这些人通过送他们去军事法庭来进行模拟和自残。斯特凡诺从未想过会遇到一个故意寻求病理的人，就像为了从更大的邪恶中拯救自己而购买救生艇一样。但现在他厌倦了这场使他成为检察官和宪兵的冲突。 　　朱利奥·法拉迪医生则在一栋偏僻建筑的公寓里工作。他是一个不安分的人，强烈反对战争，对那些在他的“私人战争”中的士兵怀有一种温柔而占有欲的爱。如果斯特凡诺确实尽了最大的努力来治疗士兵并让他们回去战斗，朱利奥则让他们生病，或者帮助他们严重自残，足以被免除服役。这两位医生是大学同学，也是好朋友，他们不仅在专业上暗自较劲，在感情上也是如此：他们都与安娜有联系，她是一位勇敢且性格坚强的护士。但在1918年那场可怕的“西班牙”流感大流行到来之际，爱情、政治和科学交织在一起，危险地纠缠在一起…

这些是第一次世界大战的年代，斯特凡诺·佐尔齐医生在意大利北部一座大城市的免除诊所度过他的日子。在那里，他不仅照顾从前线屠杀中归来的士兵，还与那些希望被免除服役的人作斗争，这些人通过送他们去军事法庭来进行模拟和自残。斯特凡诺从未想过会遇到一个故意寻求病理的人，就像为了从更大的邪恶中拯救自己而购买救生艇一样。但现在他厌倦了这场使他成为检察官和宪兵的冲突。 　　朱利奥·法拉迪医生则在一栋偏僻建筑的公寓里工作。他是一个不安分的人，强烈反对战争，对那些在他的“私人战争”中的士兵怀有一种温柔而占有欲的爱。如果斯特凡诺确实尽了最大的努力来治疗士兵并让他们回去战斗，朱利奥则让他们生病，或者帮助他们严重自残，足以被免除服役。这两位医生是大学同学，也是好朋友，他们不仅在专业上暗自较劲，在感情上也是如此：他们都与安娜有联系，她是一位勇敢且性格坚强的护士。但在1918年那场可怕的“西班牙”流感大流行到来之际，爱情、政治和科学交织在一起，危险地纠缠在一起…

影片讲述美国西部一帮退休的老兵为了拯救一个老战友铤而走险深入黑帮内幕的故事.........

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide 　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. 　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson 　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum